![]() Not to say that it doesn't sound good, but it's not up to snuff compared to the balanced output.) In this specific case, the improvement is way more than some sort of 1/20 ratio of generalized betterness. (The SE out is a utility out, much like it is in the Ragnarok. This is the case with my Glenn OTL tube amp, and others have found it to be the case with other amps (BW comes to mind).Ĭlick to expand.The Mojo 2's balanced output is leaps and bounds over its SE output because of it's topology. Listen and don't get hung up on specs.Īs an aside, I have found that even via a SE amp, a 4-pin XLR headphone out sounds superior - better connection IMO, but this shouldn't be confused with "balanced" per say. Just because it's a balanced design won't mean it's the better amp per say - but it could be. Different amps, different topologies, different design objectives, different capabilities, etcįor the HD800/HD6xx's focus on getting a very good, resolving source (Gungnir Multibit/Yggdrasil are a good bet), and then find an amp that's synergistic with their capabilities/shortcomings. However, the Rag is gimped if running via single ended, as the topology is inherently balanced. My single ended Glenn OTL custom tube amp easily out resolves my Ragnarok, with the Glenn being fed by Yggdrasil's SE outputs and the Rag being fed by the balanced outputs. A really well done SE amp fed by a SE inputs out of a great source is easily better than an "OK" balanced amp/source. Concentrate on what a specific piece of gear sounds like and what it's capabilities truly are, not what its inputs/outputs are. Balanced issue really isn't worth getting too worked up about. The simple answer, without delving in to specific pieces of equipment, is that the SE vs. ![]() This topic was covered pretty thoroughly back on mother Chang - a search over there will reveal some good discussions. ![]()
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