![]() One thing’s for sure - this city is always evolving. On the other hand, fun free Instagram-friendly attractions like Little Island have popped up, becoming new classics.Īnd parts of Brooklyn, the borough once sniveled at by Miranda Hobbes, is now more expensive and trendy than much of Manhattan. On one hand, attractions like the Metropolitan Museum of Art are no longer offering pay-what-you-wish admission to all it’s now only for locals. That said - things change over the years, and New York in 2022 is not New York in 2012. All you need is a Metrocard (preferably unlimited) to enjoy your visit! Cool neighborhoods where just walking around is an adventure. Luckily, there are tons of amazing free activities in NYC to enjoy. ![]() And you’ll learn that on your trip to New York! Whether you love dining out, seeing Broadway shows, or dancing till dawn, I guarantee you’ll end up spending more than expected. One of the secrets of surviving in New York is learning how to have fun on as little money as possible, because this city tends to be even more expensive than you imagine. We joke that just leaving your apartment costs $20! It may be in jest, but it’s a little too close to the truth. Trust me - when you live in New York, you quickly learn all the free things to do in NYC. The chosen composers’ approaches are anything but lock step in nature: Pascal Le Boeuf’s “Forbidden Subjects” makes the most of the group’s propulsive qualities, while Jenny Beck’s “Go in Secret” revels in more ambient realms.Share on X (Twitter) Share on Facebook Share on Pinterest Share on Email On its self-titled album, released in June on the New Focus imprint, Real Loud plays works by four composers (including Brendon Randall-Myers, a member of the group who has worked as part of Branca’s ensemble). (Though, moniker aside, the band does not mandate loudness - or even thrashing textures.) That double-power-trio setup allows composers to keep a certain momentum going, even when decorating a piece with novel material. (It bears the appropriately gothic title “Nostradamus: The Death of Satan.”)Īnother exponent of this trend is the group Real Loud: an electrified chamber sextet of dual guitarists, bassists and drummers. ![]() This month, John Zorn released a new album of pieces for his metal-adjacent group Simulacrum. That tradition hasn’t lost steam since Branca’s death in 2018, either. The fusion of classical composition with heavy metal dates back to some early works by Glenn Branca. But for adolescent audiences, it’s also a moving and absorbing journey of a girl who discovers that even imperfections can sometimes be strengths. Gritty, suspenseful and occasionally humorous (“I feel like an extra in a tampon commercial,” Julia says at her quinceañera), “I Am Not” includes profanity, mild drug use, sexual activity and a suicidal episode. Streaming free to schools, it’s available to the public through a $75 subscription to Steppenwolf NOW, a six-show virtual season that ends on Aug. Working with Isaac Gómez’s script and the directors Sandra Marquez and Audrey Francis, Steppenwolf turned the production into a 110-minute audio version. Sánchez, this play was being performed in the Chicago company’s Steppenwolf for Young Adults series when the pandemic forced it to close. The rebellious 15-year-old daughter of Chicago immigrants, Julia ( Karen Rodriguez) feels responsible for the accidental death of her more obedient older sister, Olga, whose final weeks remain mysterious.Īn adaptation of the acclaimed novel of the same title by Erika L. Julia Reyes, the aspiring writer at the heart of Steppenwolf Theater Company’s “I Am Not Your Perfect Mexican Daughter,” isn’t kidding when she uses that statement to describe herself. Their analysis may help you find new dimensions in these ubiquitous songs - even if you’ve already heard them a few hundred times. ![]() In one “Summer Hits” episode, Sloan, Harding and their guest Hanif Abdurraqib discuss the structure of Lorde’s ebullient “Solar Power” and parse the debate about originality that it has inspired in another, they locate Olivia Rodrigo’s “good 4 u” within the long arc of punk and emo, with help from the critic Jessica Hopper. This question animates their “Summer Hits” mini-series, which continues their podcast’s project of explaining pop’s tricks in layman’s terms and providing context for musical trends. They’re more likely to ask why some of this year’s contenders - songs by BTS, Lorde, Olivia Rodrigo, City Girls and more - resonate the way they do. What is the song of the summer? The musicologist Nate Sloan and the songwriter Charlie Harding, who host the podcast “Switched on Pop,” aren’t in the business of issuing superlatives. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |